Time is a constant companion that shapes our lives and structures our daily routine. How we deal with it concerns us both as individuals and as a society. In the 21st century, however, this seems to be becoming increasingly problematic - terms such as acceleration, deceleration, resilience, information overload, time sovereignty, self-distance and mindfulness reflect this development. While some complain about a lack of time, others have too much of it. But despite the burden it often entails, time itself remains innocent - a physical quantity that describes the sequence of events and inexorably progresses from the past into the future.

Time and music

Time and music are closely linked, as music is only perceived over time. Sound, melodies, harmonies and dynamics unfold over time, making music one of the most fleeting art forms. However, listening to music does not make us feel that time is a scarce, fleeting commodity. On the contrary: music can make the present more conscious, it can stretch it into a long duration or concentrate on the moment. One example is Schubert's string quintet, in which the true tempo only unfolds after 30 bars. The composer Dieter Schnebel calls this phenomenon "liberated time", in which deceleration and acceleration are integrated into the music. Instead of productivity or haste, it is about true feeling and harmony between man and the world, whereby music opens up new perspectives on the perception of the world.

Our task as a festival

For 28 years, the Heidelberger Frühling Musikfestival has created a place to pause and reflect. The 2025 edition of the festival demonstrates in particular what a festival is capable of in all its uniqueness: the intoxicating immersion in three weeks of time out from everyday life. Be it at one of the exceptional projects in the world of classical music, when, together with Budapest and Vienna, we become the venue for the performance of all of Sergei Prokofiev's piano concertos on three evenings by one of the world's great orchestras, the Budapest Festival Orchestra under Iván Fischer together with Igor Levit. Be it when you have the unique opportunity to hear all of Wolfgang Amadeus Mozart's string quintets in one day. If you can immerse yourself in the fascination of "minimal music" for an entire evening at the Karlstorbahnhof. Or if you get involved with the idea of our 5 p.m. concerts in the auditorium of the Old University of Heidelberg, which help you to slow down and serve as a bridge between the day and the evening. Be it at the re:start concerts with free admission in the districts of Heidelberg, some of which are performed by the young up-and-coming artists of the Festivalcampus-Ensemble.

In short: make the festival weeks your time!

Yours
Thorsten Schmidt

(shortened excerpt from the editorial)