Isabelle Faust. Alexander Melnikov
Schumann Existential

When you have been making music together as intensively as Isabelle Faust and Alexander Melnikov for as long as they have, then it's time to get down to business: The two Violin Sonatas op. 105 and op. 121 were composed by Düsseldorf music director Schumann within a few days in 1851, at a time when he was in constant conflict with unmotivated musicians and singers and was slowly slipping into an existential crisis. The passionate works are accompanied by Brahms' last chamber music, the second of the two Sonatas op. 120, and by two works by Webern and Kurtág. Their concentrated miniatures form a pointed contrast to the flowing "Liberated Time" of the three large sonatas.

This concert will be followed by a talk with the artists and Anselm Cybinski in the Festivalzentrum.


Isabelle Faust

Violin

Alexander Melnikov

Piano


Robert Schumann
Sonata for Violin and Piano No. 1 in A minor op. 105

Anton Webern
Four Pieces for Violin and Piano op. 7

Johannes Brahms
Sonata for Clarinet or Viola and Piano in E flat major op. 120/2 (version for violin and piano)

György Kurtág
Tre pezzi for Violin and Piano op. 14e

Robert Schumann
Sonata for Violin and Piano No. 2 in D minor op. 121



We thank